Insight

Breathing Life into Heritage: Uncovering the Stories and Structures of Our Past

14.11.24 3 Minute Read

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In an era where heritage conservation meets modern development, the approach to understanding historic buildings is evolving beyond traditional assessment.

The integration of social history with architectural evaluation is emerging as a powerful tool for enriching heritage projects. 

Dianna Fletcher, Head of Heritage at Bidwells, and James Hooper, Founder of Historic Productions Ltd, discuss this dual approach to heritage assessment, revealing how combining rigorous architectural evaluation with deep social history research can transform projects and create stronger connections between buildings and their communities.

Q: How do architectural assessment and social history complement each other in heritage work?

Dianna Fletcher: Understanding a building's history is fundamental to understanding what's important about it. Most professionals working with historic buildings get this from an architectural perspective. But what's becoming increasingly clear is that it is valuable to look at this topic much more widely, particularly when it comes to design consultation and determining future use. It sometimes grieves me that people are often far more interested in the history of the occupants than the actual building itself – but that human connection is incredibly powerful, and we need to embrace that.

If only the physical significance of a building is considered, and not its social life, it's like examining a human body without considering its mental health.

James Hooper: Historic Productions Ltd grew out of my experience working with World Heritage Sites. I ran the UK branch of a heritage conservancy called the Global Heritage Fund, and during that time I noticed we weren't very effectively engaging with commercial organisations around these sites – hotels, real estate developers, and the like. Initially, we thought their lack of interest was because they were "wicked capitalists," but the reality was we weren't focusing on their needs as organizations and as creators of cultural heritage in their own right. They're stewards of both physical heritage, if it's a historical building, and cultural heritage as scenes of social interaction.

The thing is, if you're looking only at the physical condition of a building and not its social life, it's like examining a human body without considering its mental health. You're not seeing the entire ecosystem the building operates in.

Q: How has this understanding evolved into practical applications?


James: We've found that spending time at the beginning of a project, focusing the specialist social and cultural historian's eye on a building to elucidate new forms of significance and value is a worthy project in itself. This information can then flow through the multiple stages of the project following it, assisting in planning, design, branding, communication and staff engagement. Not simply dismissing social and cultural history because it isn't 'blue plaque worthy' is part of the matrix of value that we believe should be considered.

Dianna: Historic England identifies four types of significance, and one of those is providing evidence of the past and how people lived. Traditionally, this tends to focus on much older properties, with an assumption that we understand how people lived in the more recent past. But what we're discovering is that a deep dive into who lived in a particular building, how they lived, and who was associated with it can add an extra layer of richness to our understanding of that building. This doesn't just impact the significance assessment – it flows through to influence design decisions and how we approach changes to the building.

Q: How does this comprehensive approach benefit real projects?


James: What we've discovered is that deep social and cultural research has value far beyond what we initially expected. Take our work with Corinthia Rome, for example. We explored not only the building’s exceptional economic history but also the atelier and neighbourhood life in the immediate vicinity, including how it related to the Chigi family who originally built the building – it was their stables, actually. This research ends up being incredibly influential in the decisions made about the property's future direction.  It’s worth adding that getting a best-in-class historian to research and write your history is like getting a properly qualified plumber to do your plumbing – don’t leave it to non-experts!

Dianna: Yes, and this approach can be valuable even for more recent buildings. I worked on a 1950s University of Westminster building where we needed to create distinct identities for different floors. Being on Marylebone Road, we looked at somewhat obvious references to Madame Tussauds and Sherlock Holmes. Looking back, commissioning proper social history research could have led to something much more meaningful and connected to the building's actual story.

Q: How early should this research begin in the development process?


Dianna:
From my perspective, the earlier the better. With building history, if you come in too late in the process, it's much more difficult to influence a design positively. Or if you can influence it positively and change things, there's a risk of abortive design work because you're changing what the design team has already proposed. The same principle applies to social history research – it needs to be part of the foundation of the project, not an afterthought.

James: Absolutely. We're finding that commissioning this kind of research early in the process shows a real commitment to understanding and preserving a building's complete heritage. The process of gathering in that information is part of your reputation and credibility as a steward, if you are a developer coming in.

Q: How does this approach enhance the planning and consultation process?

Dianna: During planning consultations, particularly for projects that impact the public realm, engaging local communities can be really challenging. I worked on a project at the former Military School of Music, which had been a very closed-off MOD site before being bought by a school group. We had several consultation meetings with the public to show them our proposals and get their feedback.  Having that social history element could have really helped bridge the gap between the building's past and its future use.  

Understanding the social history of a site can really help bridge the gap between the building's past and its future use, and would be invaluable in stakeholder engagement.

James: The process of gathering this information itself becomes part of building trust with the community. Looking at our current work with Camden Town Hall – we're working with local history societies and gathering information from various sources to produce a social and cultural history that is themed and organised for the building's future purposes. This process naturally engages people who consider themselves to be connected to that site, quite rightfully so.

The output is one way of indicating that there will be something which will be shared with the public, and also that we will be open to communicating with people within the community because that's what we do.

Q: How does this research continue to benefit projects beyond the planning stage?

James: What's fascinating is how this research becomes an asset in itself. I've walked into hotels where we've done this work and asked staff if they've read the building's history. Not only have they read it, but they actively use it – it's fantastic. Every single person working on your site, from the artisan who's there for six months to the 20-year-old apprentice, could have access to this history. Being given that personal connection to the work's heritage increases their likelihood to stay in the job and feel connected to the work.

Dianna: From my perspective as a heritage consultant, you can't really design and know what you're doing until you understand what you're working with and understand what’s important and why it's important. I think your part of the process feeds into the 'why?' So definitely adding that value to the whole process at the beginning is invaluable, particularly in cultural projects and community projects.  

Key Takeaways
 
The integration of architectural and social history in heritage projects offers several crucial benefits:

1. Early engagement with both architectural and social history research provides the strongest foundation for successful heritage projects. As both experts emphasise, "the earlier the better" is a key principle.

2. Comprehensive historical research makes projects more relatable to local stakeholders, significantly enhancing community engagement during the planning process.

3. Understanding a building's social history alongside its architectural significance leads to more informed design decisions and richer, more meaningful outcomes.

4. The creation of well-researched historical archives becomes a valuable asset that continues to benefit projects long after completion, informing everything from staff training to visitor experience.

5. This integrated approach can transform public consultation processes from technical exercises into engaging community conversations about shared heritage.

6. The research creates lasting value that extends beyond the immediate project, benefiting future adaptations and changes to the building.

7. Social history research can enhance commercial value by creating deeper connections between buildings and their users.

As heritage buildings continue to be adapted for contemporary use, this holistic approach to understanding both their physical fabric and social history becomes increasingly valuable for successful development outcomes. It's not just about preserving buildings – it's about keeping their stories alive and relevant for future generations while creating meaningful connections between past, present, and future users of these spaces

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Dianna Fletcher

Partner, Head of Heritage

Dianna is an architect by background with over 25 years experience of working on complex heritage projects across multiple sectors.

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